Printing is an essential process for creating custom tees dfw and personalized and attractive other textile products for consumers. Fabric manufacturing professionals invest and have every interest in betting on textile editing through techniques that can vary depending on the cost, the quality of the production and the desired result. In order to convey a professional quality brand image, the various printing techniques require impeccable production and must meet implementation standards.
Discover the manufacturing secrets of textile printing and their different advantages through a presentation of the different printing techniques!
TEXTILE EMBROIDERY
Textile embroidery is an ancestral technique. New technologies have allowed the renewal of this art, with in particular the appearance of computer-assisted embroidery machines. This allows the production of visuals on fabrics with extreme precision.
Textile embroidery is the ideal method on thick garments such as sweatshirts, down jackets or even hats.
The typical realization for textile embroidery
- Step 1: Importing the logo
On Illustrator, it is possible to rework the logo and change the fonts.
- Step 2: Choosing the thickness of the embroidery
This step allows you to choose the number of stitches and the thickness of the embroidery for the final creation.
- Step 3: Embroidery
The machines can rotate up to 270° to maximize sewing options. It is also possible to apply up to 15 colors at once.
The time required to complete textile embroidery depends on the complexity of the final design. A simple logo will be easier to achieve than a convoluted image.
TEXTILE PRINTING
Screen printing is also an ancestral technique. Its use is done through many media . Its success is such that it is the most commercially used textile printing method. With a very low cost, it nevertheless benefits from an optimal rendering. The final visuals have the specificity of having the appearance of fine paint.
Textile screen printing is perfect for large scale prints. Choosing screen printing in particular makes it possible to lower the manufacturing cost per unit of the textile.
The typical realization for textile screen printing
- Step 1: Digital preparation
On Illustrator, prepare the various necessary files as well as the patterns to be screen printed.
- Step 2: Printing and eduction of the film
This film allows the insulation of the frame dedicated to printing. The film must then be coated with ink.
- Step 3: Drying
The time required for the drying of a screen print is 5 minutes.
- Step 4: Wedging and depositing ink for printing
Once the screen is wedged on the machine, it is necessary to deposit a second time the ink dedicated to printing.
- Step 5: Topping and drying.
It is then necessary to pass in the manner of a stencil the ink so that the impression is made. The fabric must then be left to dry for 2 minutes at 140° on an infrared tunnel.
The preparation time for textile screen printing requires about ten minutes.
DIRECT DIGITAL PRINT
Direct digital printing is a technique that consists of printing a visual directly on the textile . This type of printing makes it possible to integrate the ink into the textile, thus guaranteeing a clear adhesion on the fabric.
Direct digital printing is optimal on garments with very colorful visuals. On white garments, direct digital printing has a low cost while with colored garments the cost is higher.
The typical realization for direct digital printing
- Step 1: Importing the logo
On Illustrator, you have to choose a vector image.
- Step 2: Preparing the work area
The print area should be pre-treated to ensure a smooth, glossy print.
- Step 3: Applying the ink.
The printing plate is configured to spray cm by cm fluid, bright colors with beautiful gradations.
- Step 4: Drying.
The drying time of the fabric is 6 minutes in the drying tunnel.
Direct digital printing offers the advantage of having no preparation time for a print medium.
FLOCKING
Flocking is a relatively fast technique and offers strong resistance to washing. However, it is necessary to pay attention to the stage of the dryer which could make the flocked impression disappear. The flocking offers a velvet effect to the touch through a relief effect.
Flocking is very widespread on clothing such as polo shirts, sweatshirts or even shirts. It should be noted that flocking is one of the only alternatives for windproof clothing. It brings a velvet effect to the touch on clothes.
The typical realization for flocking
- Step 1: Printing the image
You must first choose an image that will be the subject of the flocking and vectorize it on Illustrator. Once the vectorization is done, it is necessary to prepare the printing. Please note that the image must be reversed before printing so that it appears on the correct side on the fabric.
- Step 2: Weeding
For a flocked print, weeding may vary depending on the number of elements in the image. It is then necessary to favor simple patterns in order to save time during this stage.
- Step 3: Pressing
The flocking will be done for 15 seconds in an oven heated to 150 degrees. However, before operating the press machine on the fabric, a parchment type paper must be added between the flocked part and the press to protect the flocking.
The flocking production time depends on the complexity of the desired image. For example, flocking a number on a jersey takes 5 minutes while flocking a complex image such as flowers on a shirt can take up to 20 minutes.
FLEX PRINT
For a refined and resistant production, flex printing is the solution to choose. This type of printing offers many advantages, including the ability to cover a large surface and the possibility of accessing a range of vivid and varied colors. In addition, flex printing offers a velvet-like or leather-like finish.
© tiboinshape
Flex printing is done in the same way as flocking. However, the final rendering differs with a smoothing of the patterns which makes a touch close to plastic.
The typical realization of flex printing
- Step 1: Printing the image
With illustrator, just vectorize the image.
- Step 2: Weeding
This step consists in removing the superfluous parts of an iron-on vinyl in order to personalize the appearance.
- Step 3: Transfer
The application is done on a parchment type paper. For better adhesion of the iron-on vinyl, do not hesitate to expel the air using the masking process.
- Step 4: Set up the transfer press
Between 130 to 150 degrees, the vinyl adheres to the fabric and quickly.
- Step 5: Apply flex to the machine
Once adhesion is made, the membrane must be removed and the vinyl hot peeled off.
Flex printing is the technique that allows you to enhance your textiles in the best and fastest way. Either 5 to 15 seconds depending on the material selected. It has the advantage of being usable on any type of support (polyester, cotton, leather, etc.).
DIGITAL PRINTING BY SUBLIMATION
Digital sublimation printing is the ideal technique if the material you are using is polyester. Indeed it allows a flawless adhesion on your ink unlike other types of fabrics.
© imbretex
For maximum optimization of your digital sublimation printing, choose a white polyester fabric. Colored fabrics are more complicated to work with digital sublimation printing.
The typical realization of a digital printing by sublimation
- Step 1: Printing the image
With the Illustrator software, select your pattern to transfer to your textile. Start printing on fabric-specific paper.
- Step 2: Preparation of the press
Heat the press between 180 and 210 degrees.
- Step 3: Transferring the image to the garment
Once the fabric is placed on the foam part of the heat press, place the transfer sheet on the fabric and activate the press for a few seconds.
- Step 4: Withdrawal
Once the impression is made, gently remove the transfer paper.
The completion time for a sublimation textile print depends on the heating time and the pressure on the press machine.